Tag Archives: northern lights stock footage

Huelux

 

Storm over Farm time lapse frame 4K
Storm over Farm

 

Huelux from Randy Halverson on Vimeo.

Huelux is also on Youtube below, in 4K Ultra HD resolution.



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Download the Huelux features on my site here.

I shot Huelux from April-November 2013 in South Dakota, Wyoming and Utah. The weather in 2013 made it difficult for me to get some of the shots I wanted. There were many times I planned to shoot the Milky Way or Aurora, and the clouds would roll in. But that also allowed me to get more night storm timelapse than I have any other year. I was in Utah for 6 nights, it was clear only one night, it was also 95F at midnight that night. So I couldn’t shoot as high of an ISO as I wanted because of noise, but I still pulled off a few good shots in Zion Canyon.The weather was much the same while I was in Wyoming, it was cloudy 2/3 of the nights I was there. But I did get some of my best Milky Way shots of the year in Wyoming, see 1:45-2:05 in the video. The clouds did make for some good sunrise and sunset shots.

It was a funny coincidence – I took one tablet of Viagra and therefore, due to a rush of blood, I quickly reacted to the Aurora

On the Milky Way shots you will see a lot of slow and fast moving satellites, a few meteors and planes. The meteors are hard to see in timelapse, but you may see a quick flash because they only last one frame. If you see a light moving across the sky, it is either an airplane or satellite, not a meteor.

Some of the Aurora I shot were unexpected with no advanced notice. Several nights I was setting up Milky Way shots, when I noticed the glow in the sky to the north. In one case an hour before I got any Aurora notification on my phone. The storm shot at 2:57 has Aurora behind it, which was quickly covered up by the storm. The low Aurora on the horizon were often yellow, while closer (higher in the sky) Aurora were green. If I adjusted the yellow Aurora on the horizon green, it threw the rest of the colors way off.

Aurora behind a buidling storm. Frame from Huelux timelapse
Aurora behind a building storm.

I came up with the title Huelux, which comes from hue (a color property), and lux which is latin for light. Some of the Aurora and Milky Way were difficult to color correct, so I spent a lot of time with the hue settings, white balance, etc. during the month and a half edit.

The end credit backgrounds are 10 second timelapse exposures of Andromeda Galaxy and Orion shot with a 200mm lens on an Ioptron Skytracker. You will see some satellites moving through the sequences.

Photography and Editing – Randy Halverson
Production Assistants – River Halverson and Kelly McILhone
Music by Peter Nanasi – peternanasi.com
Buy the soundtrack to Huelux here.

Dakotalapse opening title – Luke Arens

Sponsors:
Dynamic Perception – The Stage Zero and Stage One dollies were used in many of the shots. I can’t recommend them enough for a quality product at a low price. http://www.dynamicperception.com/?Click=1228

eMotimo – Great pan and tilt motion control. This will also mount on the Dynamic Perception Dollies. See more about the eMotimo TB3’s on my website. dakotalapse.com/2014/01/emotimo-tb3-motion-control/

Camera Gear Used

2 Canon 5D Mark III’s
1 Canon 6D

Lenses
Nikon 14-24 with Novoflex adapter
Rokinon 25 and 35
Canon 16-35
Zeiss 21
Sigma 15mm Fisheye
Canon 200mm
Canon 70-300

Available in 4K Ultra HD for licensing, in 10 and 35 minute features.

Contact for licensing footage, shooting rates or anything else.
Randy Halverson
dakotalapse@gmail.com

Follow:
Facebook facebook.com/dakotalapse
Twitter twitter.com/dakotalapse

Still Photos Below, click show picture list to enlarge.

 

 

Huelux Feature

 

Sunset in Badlands National Park
Sunset in Badlands National Park

Huelux 35 – 35 minute Huelux feature with more locations, sequences and longer shots than seen on Huelux 10.

[add_to_cart item=”1202″ quantity=”user:1″ ]

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The Huelux 10 feature, is a ten minute edit of some of the 40+ minutes of timelapse I shot for Huelux in 2013. It has more locations and sequences than you see in the trailer, and also some longer cuts of the same shots.

[add_to_cart item=”1201″ quantity=”1″ ]

 

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I shot Huelux from April-November 2013 in South Dakota, Wyoming and Utah. The weather in 2013 made it difficult for me to get some of the shots I wanted. There were many times I planned to shoot the Milky Way or Aurora, and the clouds would roll in. But that also allowed me to get more night storm timelapse than I have any other year. I was in Utah for 6 nights, it was clear only one night, it was also 95F at midnight that night. So I couldn’t shoot as high of an ISO as I wanted because of noise, but I still pulled off a few good shots in Zion Canyon.The weather was much the same while I was in Wyoming, it was cloudy 2/3 of the nights I was there. But I did get some of my best Milky Way shots of the year in Wyoming, see 1:45-2:05 in the video. The clouds did make for some good sunrise and sunset shots.

On the Milky Way shots you will see a lot of slow and fast moving satellites, a few meteors and planes. The meteors are hard to see in timelapse, but you may see a quick flash because they only last one frame. If you see a light moving across the sky, it is either an airplane or satellite, not a meteor.

Some of the Aurora I shot were unexpected with no advanced notice. Several nights I was setting up Milky Way shots, when I noticed the glow in the sky to the north. In one case an hour before I got any Aurora notification on my phone. The storm shot at 2:57 has Aurora behind it, which was quickly covered up by the storm.

Aurora behind buidling storm.
Aurora behind building storm.

I came up with the title Huelux, which comes from hue (a color property), and lux which is latin for light. Some of the Aurora and Milky Way were difficult to color correct, so I spent a lot of time with the hue settings, white balance, etc. during the month and a half edit. The low Aurora on the horizon were often yellow, while closer (higher in the sky) Aurora were green. If I adjusted the yellow Aurora on the horizon green, it threw the rest of the colors way off.

The end credit backgrounds are 10 second timelapse exposures of Andromeda Galaxy and Orion shot with a 200mm lens on an Ioptron Skytracker. You will see some satellites moving through the sequences.

Photography and Editing – Randy Halverson
Production Assistants – River Halverson and Kelly McILhone
Music by Peter Nanasi – peternanasi.com
Dakotalapse opening title – Luke Arens

Sponsors:
Dynamic Perception – The Stage Zero and Stage One dollies were used in many of the shots. I can’t recommend them enough for a quality product at a low price. dynamicperception.com/#oid=1005_1

eMotimo – Great pan and tilt motion control. This will also mount on the Dynamic Perception Dollies. See more about the eMotimo TB3’s on my website. dakotalapse.com/2014/01/emotimo-tb3-motion-control/

Camera Gear Used

2 Canon 5D Mark III’s
1 Canon 6D

Lenses
Nikon 14-24 with Novoflex adapter
Rokinon 25 and 35
Canon 16-35
Zeiss 21
Sigma 15mm Fisheye
Canon 200mm
Canon 70-300

Available in 4K Ultra HD for licensing, in 10 and 35 minute features.

Contact for licensing footage, shooting rates or anything else.
Randy Halverson
dakotalapse@gmail.com

Follow:
Facebook facebook.com/dakotalapse
Twitter twitter.com/dakotalapse

Below are some of the additional scenes on the Huelux 10 feature.

 

Horizons

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Horizons from Randy Halverson on Vimeo.

If you have ever been in a wide open landscape the most interesting thing isn’t necessarily the landscape itself, but what you see coming over the horizon. Growing up in South Dakota the landscape itself can be beautiful at times, but that doesn’t compare to what the sky can do, especially at night. Combine that with the landscape, and it makes for great photo opportunities.

Get the 30 minute long Horizons feature here

Bear McCreary (The Walking Dead, Defiance, Battlestar Galactica, etc) once again helped me with some original music for the video. This time he suggested adding vocals to the mix. Brendan McCreary and his band (Young Beautiful in a Hurry) did just that. They came up with “I Forever” The single is available on iTunes, Amazon and other online sources.

I shot Horizons from April – October 2012 mostly in South Dakota, but also some at Devils Tower in Wyoming. From the rugged Badlands, the White River valley and the Black Hills of South Dakota, the horizons seem to endlessly change. I edited Horizons in 4K resolution and the feature is available in 4K.

Download 1080p 15mbps h.264 [add_to_cart item=”1101″ quantity=”user:1″ ]

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Download 720p h.264  [add_to_cart item=”1100″ quantity=”user:1″ ]

More downloads and information here

tower

Photography and Editing – Randy Halverson
Production Assistants – River Halverson and Kelly McILhone
Color Correction – Jeff Zueger – Spectrum Films 

Sponsors:
Dynamic Perception – The Stage Zero and Stage One dollies were used in many of the shots. I can’t recommend them enough for a quality product at a low price.

Borrowlenses – Throughout the summer I got some great Canon and Zeiss lenses from Borrowlenses to use in the shoot. They have great service and every lense performed flawlessly. So if you ever want to try out a lens ,or just need one for an special shoot, give them a try!

Granite Bay Software – I try to avoid flicker in sunset or daytime timelapse while shooting. But sometimes it is unavoidable. I used GBDeflicker to smooth out the flicker in some of the sunset timelapse.

Equipment Used
Canon 5D Mark III, sometimes with a 2nd from Borrowlenses
Canon 5D Mark II
Canon 60D

I used a variety of lenses, many from Borrowlenses

Canon 14, 16-35, 24-70, 50 F1.2, 70-200mm lenses

Zeiss 21, 25, 35mm lenses

Nikon 14-24mm with Novoflex Adapter

Available in 4K resolution for licensing.

_________________________________________

Contact for licensing footage, shooting rates or anything else.
Randy Halverson
dakotalapse@gmail.com
Follow:

Facebook http://www.facebook.com/dakotalapse

Twitter http://www.twitter.com/dakotalapse

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Horizons Feature

 

 

 

Above: Preview the first 2 minutes of the Horizons Feature.

Opening Scene from Horizons 30 minute long feature film.
Opening Scene from Horizons 30 minute long feature film.

The Horizons feature is 30 minutes of new and never before seen Milky Way, Aurora, Clouds, Sunrise and Sunset timelapse. Set to the music “Frozen White Light” composed by Simon Wilkinson at http://www.thebluemask.com

If you have ever been in a wide open landscape the most interesting thing isn’t necessarily the landscape itself, but what you see coming over the horizon. Growing up in South Dakota the landscape itself can be beautiful at times, but that doesn’t compare to what the sky can do, especially at night. Combine that with the landscape, and it makes for great photo opportunities.

I shot Horizons from April – October 2012 mostly in South Dakota, but also some at Devils Tower in Wyoming. From the rugged Badlands, the White River valley and the Black Hills of South Dakota, the horizons seem to endlessly change. I edited Horizons in 4K resolution and this feature is available in 4K upon request.

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Downloads of the Horizons Feature – 720p and 1080p 6mbps, is better for slow connections and slower computers.

[add_to_cart item=”1107″ quantity=”user:1″ ]

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[add_to_cart item=”1108″ quantity=”user:1″ ]

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[add_to_cart item=”1109″ quantity=”user:1″ ]

 

You can also watch the video on demand, with a free download, at Vimeo On Demand.

More videos and information on downloads at the download page.

Sponsors:
Dynamic Perception – The Stage Zero and Stage One Dollies were used in many of the shots. I can’t recommend them enough for a quality product at a low price.

Borrowlenses – Throughout the summer I got some great Canon and Zeiss lenses, and sometimes a second 5D Mark III from Borrowlenses to use in the shoot. They have great service and every lens performed flawlessly. So if you ever want to try out a lens ,or just need one for an special shoot, give them a try!

Granite Bay Software – I try to avoid flicker in sunset or daytime timelapse while shooting. But sometimes it is unavoidable. I used GBDeflicker to smooth out the flicker in some of the sunset timelapse.

Equipment Used
Canon 5D Mark III
Canon 5D Mark II
Canon 60D

I used a variety of lenses

Canon 14, 16-35, 24-70, 50 F1.2, 70-200mm lenses

Zeiss 21, 25, 35mm lenses

Nikon 14-24mm with Novoflex Adapter

Available in 4K resolution

__________________________________________

Contact for licensing footage, shooting rates or anything else.
Randy Halverson
dakotalapse@gmail.com
Follow:

Facebook http://www.facebook.com/dakotalapse

Twitter http://www.twitter.com/dakotalapse

 

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